College of God & Love, College of Love Making, College of Matriarchal Love, Uncategorized

LOVER BUYS ME WEDDING DRESS

2019

MY LOVER WANTS TO MARRY ME.

HE’S SICK WITH WORRY ABOUT OUR

BEING APART

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4-6-20-HE BRINGS WEDDING DRESS-DESPERATE 4 MY LOVE

 

Interpreted for a friend.

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          I’m in my house upstairs, standing in one of the halls. To the right is the bath, to the left a large closet with no door, across the door is open to the guest room.

 

          My good husband Richard did not sleep all night (I slept) but he still went out to work & he’s just returned. I see he has bought MY WEDDING DRESS & semi-secretly, he is putting it into the closet—I see half of it before he pushes it back to maybe hide it. I don’t think he sees me looking, he doesn’t look at me.

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          *(RICHARD MY GOOD HUSBAND: This is Hal, the man I love who loves me. When his disposition toward me is great he appears as Richard, because Richard was the best man I ever had.

 

          SLEEP-DID NOT SLEEP ALL NIGHT: This indicates concern, worry; sleeplessness is when one’s MIND is not at rest. Notice I DID sleep – because I am not worried about Hal & myself, I know we’ll be together.

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          WEDDING DRESS, HE BOUGHT MY WD: This says he’s planning to be with me as man & wife. He’s thinking & doesn’t know I can read his mind so he doesn’t see me – but I see him.

 

          CLOSET, THIS CLOSET: This particular closet has meaning. Look to details of each symbol. I asked myself ‘How is this closet different from the other ones?’ This is where I housed the clothing for my male models in preparation to photograph them. So this closet means PREPARATION, BEING READY TO FULFILL A ROLE, AN IMAGE. Into this closet Hal, now being the good husband, prepares to treat me like the wife that I am, to even present me to the world that way.)*

 

          I am highly surprised at his buying my wedding dress. I see white net, with a row of beautiful artificial flowers embedded on it, the flowers like a big ‘corsage’ from the waist type deal down the skirt, some are bigger, then they get smaller in a row, all are white large petals completely open with stamens inside. I didn’t want to let him know that I saw the dress in case he wanted to keep it secret.

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*(HOW THE DRESS LOOKS: White net is see-through, apparent or obvious—I have picked up his plans easily, he might be showing his intentions to others—in other words, his thoughts & plans ARE SHOWING. The

 

          WHITE BLOSSOMS, FULLY OPEN, LIKE A CORSAGE: Are love, fully OPEN blossoms, petals, means his heart is open to this marriage.)*

 

          I also felt sorry for him because he must be so tired, but he’s hanging in there, & I see him standing to the rest room door to the right, he seems shorter this moment as in real life he’s tall–& he has a small pot belly & a spare tire on his middle, he’s naked & there is a kind of soft light around him, soft yellow like sunshine.

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         *(SHORTER THAN IN REAL LIFE: He’s humbled himself.

 

          POT BELLY & SPARE TIRE: Could be he’s being nourished by God/grace as I see

 

          LIGHT AROUND HIM: For sure the Grace of God, he’s SEEING THE LIGHT, I see his spiritual awakening.)*

          Oh yes, at one point I went to sneak-peak at the dress & it was not the same dress. It was a party dress, sort of Latin, in many bright colors, hugging the body, then flaring out with a grey ribbon across the flare. I hated the sleeves, like they buttoned midway between the wrist & elbow – for me that is tight & uncomfortable. I thought to myself

 

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          “This is not the dress I want. I don’t think I’ll wear it, it probably won’t fit me anyway.”

          Did he buy this dress? I also thought it looked ordinary, even cheap; I’m surprised he would buy such a garment for me.

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          *(THE PARTY DRESS I DID NOT LIKE, WON’T WEAR: This is the relationship as it was before I stopped. All we did was sex. For him it was ‘releasing his love’ & getting mine & for a while, I felt it was the only thing I could do, but then I knew I could never be happy this way. This you could call ‘cheap’ in that the lover does nothing with effort or respect, does not present me to his people, presents a different woman on social media, while I’m the secret ‘play toy.’ No, I will not wear this dress means I will not PLAY THIS ROLE.

         

          On the other hand, the white dress he put into the closet represents the purity of True Love, & being transparent (the net) to the public about it—

 

NET is also a symbol of ‘catching someone’ like a fish in a net—people are proud of ‘catching’ someone they love & showing them off.)*

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          Then in the room across, standing with his back to the front window, his front to the bed & me, is a person I scarcely recognize from long ago, who was my best friend for years. He misjudged me on something, accused me & broke up. He’s here now but hard to recognize, I keep saying,

 

          “Joe, is it you? Joe, is it you?”

 

          He doesn’t look like himself. His hair is like a sort of woman’s wig, very thick in front sticking out, thick in back, sticking out also, very grey, strange. And on the back of the hair is a pair of light blue cotton women’s panties, just sitting there hugging the hair like some sort of cap.

 

          *(WHO IS JOE? Joe is the same man in the form of Rich, the good husband—I have never seen both of them in the same dream – Joe is another persona or aspect of Hal.

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          Joe represents here Hal knows he was MISTAKEN in breaking up with me—I did not do what he accused me of. This says he’s SORRY & WORRIED SICK over us being apart. The clues are:

          THE THICK GREY HAIR:

                   Means worry, lots of it.  Sticking out the front & the back is both sides of the brain, the primitive back brain & the temporal lobes in front, which is spiritual & intellectual & checks impulses or lower self.  This is really worried, haha.

          WOMEN’S UNDERWEAR, LIGHT BLUE COTTON PANTIES LIKE A CAP

: What he’s worried about, we’re not together, not intimate, not having sex. And furthermore, he is standing in:

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          THE GUEST ROOM: He is not standing in my bedroom – where he would be INTIMATE with me, he’s in the guest room, which means we are apart. That underscores the WORRY.

 

          His face is hard to distinguish. It’s angular & vertical in its lines, & sort of ‘bleached out’ or his features all run together. His nose & head are thin, all his features thin & vertical.

 

          {His face reminds me of this poor man I saw on TV who was wrongly accused of killing his wife & children, an ex-cop. He spent THIRTEEN YEARS in & out of jail, two trials, two appeals before he was exonerated—NOT GUILTY, thirteen years of torture. His uncle fought for him on the outside. The people investigating his case from the get-go botched the whole thing – there was a t shirt of the perpetrator right by the crime – they did not even send out to have his DNA checked on Codis—lied that they had done it with no results. Years went by with new lawyers pushing, it was finally checked, & there was the killer. I was rooting so hard for the poor cop.}

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          His hair is so strange that I say jokingly to a male friend also in the room, standing to my left,

 

          “Hey, maybe you should get a hairdo like that.”

 

          *(ANOTHER MALE FRIEND: Whenever there’s a random male friend near him, I assume it to be his Guardian Angel, who I’ve prayed to often for help. I’m joking with the Guardian Angel about how WORRIED Hal is. This pain he’s going through is salutary because pain is the ‘megaphone of God’ – ‘God whispers to us in our pleasures & shouts to us in our pain’ & also the cliché ‘absence makes the heart grow fonder’ & to top it off, ‘You never miss your water ‘till the well runs dry.’ And might I add ‘Why buy the cow when you can get the milk for free?’

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          FACE LIKE THE POOR COP WRONGLY ACCUSED: As I describe here this man suffered greatly a long time & the liberation he dubbed ‘a miracle.’ The face shows depression. Hal feels like that—he’s endured pain about me for a long time & longs to be set free. That’s what he’s experienced– if he felt the pain I have, given me by him, he’d be dead.)*

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College of God & Love, College of Love Making, College of Matriarchal Love, Uncategorized

HOPES FAILED<>LOVE REMAINS

VARIOUS

HOPES FAILED<>LOVE REMAINS

 

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4-2-20-BROKEN MANSE HIDING VALUABLES-SCARY MOVIE SET & MOVIE ON LOCATION

 

          There was a MOVIE SET I am present at & it is SCARY.

 

          *(MOVIE SET I AM IN: Theater of life, my life.)*

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          It has something suspended way in the air, as if not attached to anything – a vehicle. Later I see it as attached, & on top is a truck (like you use for hauling, two or three times as big as a pickup truck, its open in back, its painted red, the rest is grey & black. Its suspended way up & precariously angled at a 90 degree downward.

 

          I think to myself that some crazy guy might get into it & drive it with dire consequences & suddenly someone does. He is in it, gets it started & drives down some kind of ramp—fortunately no accidents occur.

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          *(VEHICLE, TRUCK, PRECARIOUS 90 DEGREE ANGLE: A way given, possibly from Heaven (high above, seemed not attached to the earth but then later you see is attached), that seems scary & dangerous – a way of doing something one needs to do – possibly getting out of a bad situation. It has to do with a male you are concerned about – could be lover Peter who is in dire straits, & it’s scary for him to MAKE A MOVE—but HE DOES IT.

 

RED TRUCK BEING DRIVEN: person is in a scary, painful situation but boldly makes a move & comes out OK.)*

 

          This entire thing is a MOVIE SET. What am I doing here? Guess I’m in it. The company has taken over a huge mansion like a palace with ornate interiors – besides the scary contraption we are all in this ornately furnished mansion.

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          *(HUGE MANSION COMPANY HAS TAKEN OVER: Residence is a PLACE OF CONSCIOUSNESS, where one’s mind & heart are – good or bad. To be in a mansion like this is SPIRITUAL GREATNESS or being in a good state – your state. Extreme stress moves one closer to God, we are closer to God when suffering. The

 

          SCARY CONTRAPTION: is what does one have to do in this time to survive? This Pandemic? Where people are thrown on their ass, without work or money or security? What do they do?)*

 

          Right now I am outside in a kind of yard, looking into the great mansion as well as an old mansion to the left which is completely decrepit on the outside, falling down walls, roof, all caving in, all made of dark wood, two floors high. It’s on a lot with buildings within 10-15’ of it on all sides with fences or walls up to the second floor – no one seems to notice it but myself.

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          *(DECREPIT MANSION: This is the past relationship between you & lover Peter—it is decrepit, fallen apart, the way it used to be is over, finished. You aren’t ‘there’ any more. 

 

          WALLS, FENCES HIGH ALL AROUND IT: & no one seems to notice but me, means that no one knew or understood all the great things you had in mind for him, they were & are hidden.)*

 

          Outside a window is a strange sight – like fifty chairs all fitted into each other sticking out of a window, all completely rusted. I jokingly say to a friend nearby, do you need any chairs?—pointing them out.

 

         One standout thing is the

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          *(CHAIRS, ALL RUSTY, ABOUT 50, ALL FITTED ONE INTO THE OTHER: Chairs are positions, seats like thrones, places of rest or comfort. They represent the things you wanted for Peter – the accomplishments you would help him attain, the kudos, laurels, successes, all now

 

          OUT THE WINDOW: meaning over, finished, will not be. It seems like a joke – all you wished for him – as you speak of it to a friend. ‘Rusty’ means it hasn’t been used, didn’t happen.)*

          Another window had other items sticking out, can’t recall what.

 

        But INSIDE I see ornately carved bureaus, hand carved, some goldeny colored, some darker brown, like new, so ornate I know they would cost a fortune.

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          I think to myself why are those bureaus there, & how could a person get them – valuable, & I don’t understand why they’re in this crumbling, broken down, falling down mansion.

 

          *(VALUABLE, ORNATE, HAND CARVED BUREAUS, SOME GOLDENY, SOME BROWN: What is LEFT of that relationship is not the outside ambitions you had for him but what was inside, the inner value of the love.

 

          Bureaus would be things that hold things – these are

 

CHESTS OF DRAWERS: Chest refers to heart, & the drawers hold many things. This evokes the heart holding many ways of love, the desires to see another happy, whatever it takes. In other words, your heart held for him many ambitions, desires that you thought would bring him the things he wanted – but he did not cooperate, those things are gone. He will not be a ‘somebody,’ in the eyes of the world – he will not ‘succeed’ at any great career, finding fame or recognition.

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But the valuable love is still there wishing to heal him of his maladies, so he can be happy. This you want to retrieve from the failures – take out of that affair what had the deeper meaning.

HAND CARVED: Hands refer to the giving of love.

GOLDENY CHESTS OR BUREAUS: True love, gold is love.

SOME DARKER, BROWN: The dark spots you went through for love have great value, suffering is all we have to give to God – She gives us everything else. {Words of St. Francis of Assisi.})*

 

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College of God & Love, College of Love Making, College of Matriarchal Love, Uncategorized

YOUR LOVE WILL RESUME

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YOUR LOVE WILL RESUME

 

4-1-20-OLD-BEST FRIEND RETURNS

 

          dream interpreted for a friend

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          I had a best friend, Steven, who I loved & he loved me, for ten years. Then he had a misunderstanding about me—suspected me of doing something I didn’t do & because of it, dropped being my friend.

 

          *(STEVEN: This is the man you love. He misunderstood something he thought you did years ago & turned against you, moved in with another woman, but now he’s back or will be momentarily.)*

 

          Now I see him again. I am outside in a yard & see his head beyond a tall fence – just his head on the other side while he talks to someone—the house he lives in vaguely is behind him.

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I’m not attracted to him any more, & think how if we got together I would be loathe to have sex with him. In fact, I guess he’s my HUSBAND & yes I did love him but now he’s sort of repulsive to me. I look at his head & somehow both his head & dick seem small.

 

*(SMALL HEAD & DICK, REPULSIVE: His head is the attitude, way of thinking, his stupidity, & the dick part is if you no longer like his ways, you don’t like his dick either. You recall all the cruel, revengeful & cold hearted things he did to you over the years.

 

TALL FENCE, HE’S ON OTHER SIDE: This is he’s with another woman, part of the reason you hate him, the

 

TALKING: means relating, he’s relating to another woman.)*

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Then things happen. It’s like we go to dinner somewhere & we’re being feted—I don’t know why. Things have CHANGED.

 

*(CHANGED: This is saying he is not with the other woman, he’s returned to you & someone, somehow, is BLESSING, NOURISHING, giving you HAPPINESS.)*

 

As we sit a waitress appears who is SPECIAL. We’ve been already given food, but her appearance is extra. I tell people about it later, how she appeared, what a boon it was.

 

She makes food for us during this time of GREAT NEED. She cooks & serves us, & it’s grand.

 

*(SPECIAL WAITRESS, COOKING FOR US GREAT FOOD, A BOON: This woman represents the Heavenly Mother or God. She has visited us, brought us together, has granted happiness to us. Her visit is her blessings, Power & Love.)*

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Then I see a dish she made which is HUGE—it is one of those small pools I have outside to feed the animals, about 3.5’ across, a foot deep. This plastic bowl is filled with a dish she made where the top of it is like pizza or lasagna, it’s a thick sauce, red, like tomato on top, but the tomato is dark & thick & has something in it-not sure what-that makes it ‘meaty.’ She already made it but it has to sit, some type chemicalization, & we ask about when it can be eaten & she says IN TWO DAYS. Wow, what have we deserved to get all this?

 

*(IN TWO DAYS: You asked when something would happen where he would contact you & the affair would resume. Could this be the answer? Does two days mean two days, two weeks, two months or even two years? There is no TIME in the afterlife & so it’s difficult to gage a prediction here.

 

What I do know is the

HUGE BOWL filled with a dish: big enough to be a pool for a few ducks or a couple geese. It means HUGE BENEFIT, BOON, BLESSING, GIFT or JOY.

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MEATY TOMATO SAUCE TOP (not real wet, medium dry, something substantial which has to become more substantial by sitting: This gift is not ready today but will be in the time called ‘two days.’ Perhaps you will get a SIGN in two days—like the messages he’s been leaving on social media—messages that can be taken more than one way but he knows you know it’s to you {his live-in is too dumb to understand.}

 

Me: Momgod I’m stumped. Need your help. This could say a lot, but what specifically? I know there are big clues.

 

She: I suspect that in a couple days the conditions are ‘stewing’, ‘brewing’ or ‘gestating’ to be ENJOYED by him & you, so what would please both of you more than anything is if his affair with Stefania ended & yours would begin.

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The huge dish might be a BIG FIGHT. There is reason to believe she covered all the bills—even food–& he gave nothing. Now she has no money & is desperate to keep the family under the roof with food on the table, including diapers & formula for their child, but he refuses to fork over his salary. One can see how this would drive her ape shit & she would turn on him.

 

The symbols point to both bad & good—sometimes what is bad for one person is good for another—the pool/bowl is

 

BLACK: nothingness {no color}, depression, ending, funeral—their liaison ends.

 

RED, MEATY TOMATO SAUCE ON TOP: Red is pain, suffering,

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MEATY: would be weighty, serious, and strong. {A spiritual child can only have milk {consolation}, but when you grow up you can consume the ‘strong meat’ God gives of suffering.} This symbol is common in Mystical Theology. The

 

HUGENESS: of this dish is the hugeness of the event, a relationship that went on for years, that you have prayed about so long – will suddenly cease. That is your GIFT from the SPECIAL WAITRESS who is Mother God, who has ORCHESTRATED or PREPARED this event for you two.

 

Me: Mother God, people will say this is cruel to Stefania, will wish me bad luck rather than good. How do you explain that their breakup is from God, which leaves her & their child in poverty?

 

She: She has to find the road out of poverty that is not the devil & Hell—there are means of survival for her—family, friends & social welfare agencies. He did not help financially anyway–& is still unable to do so.

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The relationship was wrong. He was in desperate need, God sent him a woman to love who could save him, but he chose the path of Satan – he even said he had ‘sold his soul to the devil’ for ‘party lifestyle & popularity’ – he listened to lowlife drug addicts, abusive family & ignorant ‘friends,’ –you have suffered terribly for this.

 

It was God’s will from the beginning that you two be together– neither one of you can be happy any other way. Being apart was being outside the Will of God.

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During these years of deprivation you never gave up & continually prayed for him. Your prayers saved his life from an overdose. She has nothing to give him but the flesh & more substances – she cannot heal him of his afflictions & the need for medication – your prayers have begun his healing.

 

If people cannot understand this then it’s too bad – it’s none of their business anyway. It’s your lives, not theirs, let them take care of their own lives & stay out of yours. You are doing God’s will & that’s all that matters, the popularity contest is over, the public opinion is irrelevant.)*

royal-cat-jessica-allain Rubens_Paris-cat-sm-400x300 small kitty spring-cat svetlana-petrova1 svetlana-petrova-fat-cat-art-2 Tired-fluffy-kitten. tmg-article_tall tristan-and-isolde-cross-stitch-pattern-pdf-450x450 tristan-and-isolde-herbert-james-draper tumblr_lhzjd25Klj1qzsuffo1_500

 

 

 

College of Love Making, College of Matriarchal Love, College of the Gender War, Uncategorized

MY PLENTY HER FAMINE

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MY PLENTY HER FAMINE

 

GAUNT COWS EAT UP THE FAT ONES—THEY’VE HAD THEIR TIME OF

PLENTY—NOW FAMINE HITS THEM

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4-1-20-FAT DEVIL-GAUNT WOMEN

 

for a friend, her dream

 

          There is some ‘to-do’ about my apt – I have had trouble finding a suitable one in previous dreams, seems I have a decent one now except for one thing – the devil is in it, my roommate.  Other than that I can’t place the apt as any I’ve ever lived in.

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          *(APT LIKE NONE I’VE EVER LIVED IN:  This I already sense is not about me/you – you are seeing in the skin of another person, & the devil is ‘Jake the lover.’  You will now see from the eyes of Jake’s roommate, Priscilla, what she’s experiencing from him now—his other side.  He’s been putting up a ‘front / act’ with her to get what he needed but the façade has dropped, she now sees his truly evil self.)*

 

          I come home & set to opening the door & there are FIVE LOCKS.  The demon {in the form of a man I used to know} helps open the door.  Why five locks? I wonder.  I ask him, do we really need five locks?  They are all types, some large–deadlocks.  When he came to the door he was a bit flustered that I might not get in promptly.

 

          *(FIVE LOCKS:  Momgod, help, I haven’t a clue.

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          She:  The five locks, what do locks do?  They keep people from getting in, they keep one’s place safe, secret, locked in.  Don’t look at this physically but MENTALLY.

 

          The many locks preserve the safety / secrecy of what is going on here but you, in a moment,  will see the truth of what you always suspected.  And by

 

          MAKING SURE YOU GET IN:  he wants you to know what you believed is correct.  It’s time.  In particular, he wants you to know he did not love this woman, he used her, – because now that this stint is over, he wants you back.

 

          His clothing says:

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          BLACK PANTS:  the fact that you will not have sex with him any more bothers him.  Black is absence or end or ‘funeral.’

 

          RED PULL-ON TOP:  He is hurting for lack of your love, he is in pain {red is fresh blood, the shirt goes over his torso & heart, it’s emotional pain.}

 

          DEMON, HE IS THE DEMON:  Because he used this woman, you are in her skin now, &– late this year will be five years – his secret remained all that time—five locks.  {The reason he USED HER is because he did not love her & did not contribute to her & their child with any of his resources.}  This will be revealed to her now, she sees it, because of what is happening or about to happen.  {you did tell her but she refused to believe, she was hoping/imagining the affair would some day be ‘wine & roses,’ but all that happened was lies & deception – now she has no money & the truth will be clear.})*

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The apt is fine, it’s ok, nothing bad; except for one thing—he’s here.  But he’s getting ready to go out & as soon as he does I can relax & be happy.

 

*(HIS BEING HERE IS THE ONLY BAD THING:  He is the worst thing in her life.  She has to make it now for herself & the child, he is redundant, he is superfluous, just another burden & he contributes nothing.  She anticipates relief & happiness when he’s gone–or when this evil personality changes {not a chance.})*

 

He look exactly like the demonic guy I used to live with in my early 20’s {he was a professional con man, lived off people, lived off me for a while.}  He’s pulling on black pants with a bright red jersey top, like a pull-on top.  His middle is filled in, there is no waist indentation.  He has a look on his face that shows nothing, maybe ‘anything goes’ or ‘whatever.’  I can’t wait for him to leave.

 

*(IN HER EARLY 20’s:  Priscilla is young

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PROFESSIONAL CON MAN, LIVES OFF PEOPLE INCLUDING ME:  Indeed, his pattern—You told her, she didn’t listen.

I explained the meaning of his outfit already.

 

NO WAIST, STRAIGHT UP & DOWN:  He is at no loss for his own needs, not hungry or thin, feeds himself with his money, buys what he needs – mainly substances & habits.)*

 

          NEXT SCENE

 

In the next scene I am in my B’klyn apt but it is different in that it has a staircase off to the left as I’m facing it, & people who I don’t know are gathering.

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*(B’KLYN APT:  This was a place of great changes, highs & lows, where I saw God face to face but also martyred by the Divine Interior Stigmata.  It hearkens to monumental change, in the end, all turning out good.

 

STAIRCASE TO THE LEFT:  There was no floor above me, this would be going to the roof.  This sounds like ‘staircase to Heaven’ but also ‘the Cross of Our Lord’—indeed, his Cross led to Heaven, as He paid for our sins.  Therefore, this staircase is a great death, salvation & resurrection, death of one leading to life for someone else.

 

It seems like what is unfolding is the end of Priscilla {shown again & again in dreams} but a resurrection for me & ‘Jake the lover.’  {Yes we see his evil side here, but he isn’t all evil.  He was severely damaged, trying to survive, making bad decisions.  We are young & dumb before we get old & wise. People do make mistakes – they learn by them, they change.  He’s written poems, posts, begged about making mistakes, repented about her a hundred times on social media–praying I would see it.  She was too dumb to catch on or if she did, did nothing about it.  I just ignored him & let him keep suffering to learn his lessons.})*

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On the staircase on one step is one of my iron barbells & the same on another step.  Someone is sitting on the steps & I want to remove the barbells so they can be more comfortable – maybe another person might want to sit there.

 

*(BARBELLS ON ONE STEP & ANOTHER:  barbells are iron; metal to me is usually the nails they put into Jesus—which represents the WILL OF GOD.  This indicates what is to happen is THE WILL OF GOD.  She must end, I must begin.  I was told this in years, in hundreds of dreams—it was hard to believe but I kept my faith.  Now here it is, about to happen.

 

SOMEONE SITTING HERE:  Sounds like the person to be crucified – her.  I do not see the person’s identity, but I’m trying to help them, make them more comfortable, means I have charity for them, not animosity.)*

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I see a female come in, then another & another.  They are all GAUNT, thin, with gaunt faces like I have an image a painting of a gaunt, dark haired woman with short hair with a gaunt child in her lap – they all look the same – I don’t know them.  I get the feeling this is more their apt than mine – they don’t even see me I don’t think, they don’t look at me or speak to me.

 

GENESIS 41:   When two full years had passed, Pharaoh had a dream: He was standing by the Nile,

 

when out of the river there came up seven cows, sleek and fat, and they grazed among the reeds.

 

After them, seven other cows, ugly and gaunt, came up out of the Nile and stood beside those on the riverbank.

 

And the cows that were ugly and gaunt ate up the seven sleek, fat cows. Then Pharaoh woke up.

 

 

*(GAUNT WOMEN-SEVERAL-MAYBE FIVE:  First, the gauntness.  This is hunger, in Pharaoh’s dream, famine, which is to us an economic crash, bankruptcy.  Now mind you, they lived a good life but week to week.  They wanted for nothing, she gave all, she supported him.  I suffered because of my love–they didn’t care, she hated me.  Then her years of ‘plenty’ceased, her famine begins, my famine ends, my years of plenty begin – isn’t karma wonderful?

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Now as you stand here, it seems you are like the ‘fly on the wall’—the women don’t see you but you see them, it’s your vision of what’s happening to her/them, not their vision of what’s happening to you.  This says the woman/women are in the state called ‘famine.’

 

By contrast, you see the demon, lover Jake again, going to the rest room, & he is FAT because he has no famine, he’s feeding himself—not his family.

 

Why several women?  It can be interpreted more than one way.  One way, it’s been several years where she got no resources from him.  Second, it could be a prediction that this famine / bankruptcy will continue for a while.  Could be five weeks, months, could be more if she does not work.

 

And third, possibly the most likely, is she is reaching out to her female friends, but they are all in the same boat, gaunt, all experiencing financial loss, cannot give her safe harbor, all discussing how to survive.  She might be asking if she can move in with a lady friend – several of them have infants.  But if they are all out of work how do they survive?  These things are probably being discussed—reaching out to social services is a must—applying to Catholic Charities & other agencies could work.

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NOTE:  It’s worth explaining that during these last few years, not a one of them cared about me.  They stole him from me, he was all I had.  They lived off ‘the fat of the land.’  They had enough money; they lived well & happy while I suffered, to the point of having five heart attacks, temporarily dying.  It’s a wonder I came back – they did not care a whit, only made fun of me because of my age.

 

Now it’s their turn to suffer.  Is turnabout fair play?  Tables turned, shoe on the other foot?  Karma is a bitch?  I am impervious to the economic crash & I have gotten over the obsession with lover Jake.  I can take him or leave him, would rather take him but not having him won’t kill me—before it could & did kill me.

 

Now this woman who scorned me & deprived me, looked down on me, turned her friends against me, has dust in her mouth.  They all said it was impossible for him to love me because of my age—now they will eat their words & curse their fate.)*     

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          Then I see a man who reminds of the demon in my apt – like him, he is straight up & down, no waist, his middle is full, he’s unattractive, even ugly, & I see him going to the rest room, somewhat half dressed so I see his up & down body.

 

          *(NO WAIST:  Explained before, he feeds himself, deprives his family of support.

 

          Everything I told the people who knew us will now be made obvious to them.  Jake is a gigolo—he never loved the woman he used.  He never used me, never asked me for anything, because he wanted me to admire him, think high of him, not low.  If you don’t care what a person thinks of you you can use them, & if they find out, they find out, you’ve lost nothing.  He doesn’t want me to think he’s a user, a gigolo, so he has not done to me what he did to her.  It will all come out in the wash now.)*

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College of God & Love, College of Love Making, College of Matriarchal Love, Uncategorized

SWITCH FROM HER TO ME

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3-31-20-CHANGE IN RELATIONSHIPS

 

interpreted for a friend

unnamed (12) 

        I am with my boy friend Jackson, outside, standing in a place that reminds me of the old ‘drive in’ theaters. His female roommate is standing here also – the three of us.

 

        The movie screen is way up high, maybe 30’ on a wall before us, we all three look at it talking about it. John is tall, she seems short. She’s wearing clothes that have plants pictured on the material—mostly green with splashes of other colors on top of white, it’s loose clothing.

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        *(HE IS TALL: He’s important to me.

 

        SHE IS SHORT: She’s not important to me.

 

        HER TOP, WHITE WITH PLANTS ON IT, GREEN, OTHER COLORS: She has PLANS for this relationship to nurture & grow—{Plants are like your garden, it grows, it bears food, nourishment, could be plants you eat or flowers, flowers mean love.}

 

MOVIE SCREEN, LIKE DRIVE-IN THEATERS: This is the ‘theater of life,’ the three of you are facing & thinking about what is to come?

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HIGH UP, MAYBE 30’:   High up is like reaching to the sky or God, asking what is the future? What does the theater of life bode for us, what is the next scene?)*

 

He is talking a lot, I am trying to talk to him but having trouble, as he keeps DEFERRING TO HER like she’s more important, he has to keep up this relationship with her moreso than with me. I do not know which way to go – keep talking or walk away & forget it? If I continue this will that keep us together or if I walk away will that end us? I’m in a dilemma as he ignores me a lot when I’m talking, turns his back on me.

 

*(IGNORES ME FOR HER, MY DILEMMA TO TALK TO HIM OR NOT: This is a review how it was. ‘Talking’ refers to ‘being,’ relating, having a relationship as well as sex. You don’t know which way to go.

ALL THREE TALKING: A triangle or he is relating to two women at the same time but SHE IS MORE IMPORTANT TO HIM AT. THIS TIME.)*

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Jackson is wearing a black jacket made of pea-coat material, thick, & it’s shaped kind of draping off the shoulders almost like a cape to his waist or lower – not quite a cape, a bit like a bell coming down, the bottom not tight but loose.

 

*(BLACK PEA COAT: Navy, ‘a girl in every port,’ sailor’s are notorious for having females wherever they go, so this sounds like ‘what is the next port?–the next woman?’ Being black, it portends the END of something – his present roommate – shaped like a

BELL: ‘Ding dong’ is like a reminder, a notice, an announcement like bells in a Church say time to go there or bells at a wedding saying ‘It is consummated.’ This announces the end of them, beginning of a new relationship with you. You all see the ‘writing on the wall,’ the portent, the prophecy, the next part of life.)*

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He seems ANIMATED, I feel uncertain.

 

        *(HE SEEMS ANIMATED, I AM UNCERTAIN: This is a big change for him, he’s excited, you were not sure what to do, stay with him or leave.)*

 

SCENE CHANGES

 

The scene changes. Now we’re in a car where his female is driving,

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*(HIS FEMALE DRIVING US: This is pivotal, because the situation with his female changes so that he has to or will switch from her to you—she MAKES or DRIVES the two of you to be together.)*

 

Jackson & I are in the back seat with his son to the right of us sitting. Jackson is in front of me, like across my lap, almost taking up the entire back seat in the position he’s in, facing me.

 

*(HIS POSITION, ACROSS ME IN MY LAP, FACING ME: This is his new SITUATION. He’s now

 

IN YOUR LAP: means submissive to you, like a lapdog, like a pet or child.

 

HIS SON TO THE RIGHT: This is probably not a separate person but the child within him being present. It might be a reconciliation or agreement between his Higher Self—in my lap–& his flesh going along or in agreement. Prior to this there had been conflicts (higher conscience vs lower self rebelling.)*

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He’s wearing a long-sleeved white cotton shirt & we’re real intimate, myself kissing his arm/body/torso. The feeling of the kisses is DEEP like we are melded, united or like melting into each other, the way you do when you are really close, the energy flowing back & forth like he’s me, I’m him sort of thing. His cotton shirt is designed with these little holes that look like tiny hourglasses, one on top of each other separated by a tiny waist the way an hourglass would have, the holes are only a quarter inch wide – they are embroidered, like having little frames around them. Jackson seems LARGE like he was in the first scene, animated.

 

*(DEEP, HE’S ME I’M HIM: We are now UNITED in spiritual wedlock, energies interchanged, wills in unison.

 

WHITE COTTON SHIRT: nuptial garment

 

HOURGLASSES EMBROIDERED ALL OVER: The time has come, finally. The design being holes rather than something placed on top of the material, say pics of hourglasses, could be saying ‘no sand, it has run out.’)*

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household-washing-laundresses-engraving-18th-century-18th-century-DB14JT hunting-with-the-leopard-from-a-16th-ken-welsh images img2124 John_Frederick_Herring_HEJ009 john-frederick-herring-jr-cf9c9dce-ffbd-4e11-8dba-fa2af69943c-resize-750 Julius Anton Adam-www.kaifineart.com-25 

He’s talking about some OUTRAGEOUS action that someone ought to do. I scoff at it. I tell him,

 

“Would you have your son do that? Would you do it yourself?”

 

When I suggest that it shows how ridiculous this action is but I cannot recall what it was—like a joke but crazy.

 

*(CRAZY ACTION: Seems like a hint about ‘crazy love,’ which is love so intense it doesn’t ‘make sense.’ I was there in the past but I got over it—it might be his turn to feel that way. I am telling him to ‘cool it’ & be rational. He would tell people I was ‘obsessed,’ now it’s his turn maybe.)*

 

Where we’re going is a little mall that has a restaurant. We’re all hungry & looking forward to a meal.

 

*(GOING TO RESTAURANT, ALL HUNGRY: We all need love & emotional nourishment. This little mall reminds me of the one I go to by me – the spot is a grocery store. This symbolizes he will be with me for love/nourishment—she has driven him to me, brought us together by whatever happens to her—her bankruptcy most likely.)*

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As his gf drives, she’s small in front—he doesn’t talk to her or pay attention to her, only me. I get the feeling that the car is made of a teal color – which is a type of green.

 

*(SHE’S SMALL HE ONLY PAYS ATTENTION TO ME: She’s no longer important to him, I am. He has his

 

BACK TO HER, FACING ME: He is finished with her, she’s behind him, but he’s facing me, in my lap even– which means she is done, he’s with me.

       

TEAL CAR: Teal is green mixed with blue. Her financial condition has crashed, sadness {blue} mixed in to the finances–their situation ends, ours begins—it was predicted a long time, from one POV, survival, but from another, love victorious.)*

Julius Anton Adam-www.kaifineart.com-25 Julius Anton Adam-www.kaifineart.com-36 Julius_Adam_-_Cat_with_her_Kittens julius-adam-1859231 julius-adam-the-younger-katzenfamilie-(the-cat-family) katzenmutter kot

 

       

College of God & Love, College of Love Making, College of Matriarchal Love, Uncategorized

LOVER’S SALVATION

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3-30-20-WAITING IN THE BANK

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Dream interpreted for a friend

 

 

                     I am in a bank when John & his friend walk in & through it & both go to the rest room area—somehow although I’m standing right there, they don’t see me. The area they go into is behind a door where both the men’s & women’s rooms are, I believe, & I’m waiting for them to come out & see me—but they never come out.

 

          The layout of the bank is completely PLAIN & so is my outfit. The room of it is about 40-60’ long & maybe 15-20’ wide. The teller is in front behind a waist-high partition. Everything is PLAIN. There is NOTHING in the long room, nothing on the walls – it’s all light colored & that is it.

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          *(BANK: Place where money is.

 

LONG ROOM: shape, length of room is like a hall or a tunnel.  Notice in this dream, the room is a symbol of a TUNNEL & when John walks through this tunnel–which is darkness & limitation–he doesn’t see THE LIGHT.  But when he enters the rest room, I open the door, there is THE LIGHT.  He-his mind-is closed, fettered until THE END OF THE TUNNEL & only then does he understand that THIS WOMAN IS THE ANSWER.

 

PLAIN: everything is plain means it is ‘plain as day,’ not ‘complicated’, easy to see, simple, easy to understand.)*

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          I’m sort of pacing back & forth. I have on a pure white turtleneck top & dark, maybe black fitted pants. My body is thin & shapely, I have on a nice plain bra, I look good.

In my hands are two things, one, my PURSE which I always carry & two, a spade or hoe {I was messing with these tools yesterday} that is about 1.5’ long & is POINTED.

 

          *(PLAIN OUTFIT, WHITE TURTLENECK, LONG SLEEVES, BLACK PANTS: It’s PLAIN TO SEE that I am a SOURCE OF MONEY (in the bank) & that

6

 

WHITE TOP: I am or should be John’s WIFE who will put a roof over his head. The turtleneck & long sleeves means I am completely covered or protected from his hurting me by using me for sex—as I won’t let him have it any more.

BLACK PANTS: not give him sex {or support, money} unless he is with me. {black as in absence or funeral} and I’m in possession of money–

 

PURSE: possession of money, which I always ‘carry,’ means I always have it, &

 

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SPADE, HOE for GARDENING: this tool is for digging a garden, planting, harvesting, increasing food, resources. It’s a symbol here of INCREASING MONEY. The fact that this is

 

POINTED: refers to it’s power, effectiveness, like a knife or a tooth, being pointed can GET THROUGH, PIERCE, PENETRATE, where one needs to go or ‘take a bite out of life’. Literally, this spade pierces through the earth to prepare for planting or to take out weeds, but what it stands for is my effectiveness in GAINING MONEY.

 

BRA, BREASTS: refers to love, the love I have for John.

 

Everything here is plain to see, obvious, but John walked through here without seeing me which means he did not see what I represent – the remedy to his woes.

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PACING BACK & FORTH: frustrated, tired of waiting for him to see me –means this situation–that I can help him in this time of need {if we were together}.)*

 

          I walk, pace, back & forth waiting for John to come out & see me. Finally I open the door in the back to see the area of the rest rooms & all I see is LOTS OF LIGHT coming in through a huge window back there—like daylight, that is it, don’t see John & friend, as if they disappeared. I ponder; did they find a back door there & leave? But then I think that’s not possible, the bank would not have that sort of arrangement as someone could rob the bank & escape easily that way.

 

          *(LIGHT STREAMING IN LIKE DAYLIGHT: This is the ‘light at the end of the tunnel’ which means what, MomGod? Because I see it, but I don’t see him & the friend here, pondering if he left by a back door.

 

          MomGod: No, he did not leave out the back door as you suspected or feared because THERE IS NO BACK DOOR TO A BANK.

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          BACK DOOR: Escape route, usually represents a secret way of getting into or out of a place or situation {back door lover, doing business ‘back door}. He has no hidden, secret way of getting out of his FINANCIAL CRISIS. A bank is ‘iron clad’ as far as escape routes – there’s only one way in or out, through the front.

 

          Me: Then the Light streaming in here,

 

          LIGHT, AT END OF TUNNEL: A ‘tunnel’ means RESTRICTED, hemmed in, limited, but seeing a light at the end is being saved from something, reprieved, or great hope of it—in this dream it refers to financial salvation, saved from poverty or bankruptcy. John & his friend went to the back to the

 

          REST ROOM AREA: ‘place of rest or relief’ – getting rid of things you don’t want & need, taking a bath or shower, getting clean, brushing teeth—represents hygiene, cleansing & relief–he was looking for REST & RELIEF money wise because THIS IS IN A BANK.

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For John, this is the ‘end of the line’ or ‘tunnel,’ he’s in a bank searching for answers – in the dream he doesn’t see you, there is no back door or escape route, but where he went is {as you open the door} flooded with light like

 

DAYLIGHT, FLOODING IN LIKE: Seeing ‘daylight’ mean becoming aware. Night, darkness, is when you can’t see, but daylight is when all is revealed—you see & understand the situation.

 

John went here & he did not leave. He SAW THIS LIGHT, this truth, that you are the answer to his dilemma.

 

Me: But MomGod I did not see John & his friend back here, why not? And who is his FRIEND?

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It wasn’t necessary, you saw where he went, where he ended up & there was no other way {back door}—he has no escape route from where he is except you.

 

FRIEND: The only friend he has is his Guardian Angel, the rest of his friends are demonics, or if not demonics just ordinary people who don’t know their ass from a hole in the ground. It is his guardian angel, to whom you’ve prayed hundreds of times, who’s showing him this vision.)*

 

{NOTE: This has been predicted for years, but none of us knew how it would transpire. One of my channelers said,

‘He will come to you where he has no place else to go.’

Another psychic said

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‘Before he comes to you he has to hit rock bottom.’

None of us knew what rock bottom was.

 

It’s never been ‘just sex’ I wanted him for – I desired a relationship, I told him so. But he beguiled me for sex while he gave a relationship to someone else. This female he presented on social media as his mate – I got no recognition; he even stopped saying ‘I love you-I want to marry you’ which he did the first few years to me & in front of others. Some people didn’t even believe we were having sex. It hurt, so finally, through some supernatural power I stopped it & then the thing that had also been predicted for years came true, what the Light said was,

 

“The tables will be turned. He will chase you as you chased him.”

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His chase was like ‘guerrilla warfare,’ shooting messages on social media that could be taken more than one way. I knew they were about me, to me, confessions, apologies, regrets, requests, provocations—all to let me know he wanted me, missed me, was sorry & desperate, but he did not do the ONE THING        necessary – call me on the phone, like a man, not a mouse, tell me he loved me & wanted to see me, tell me he was planning, preparing for our relationship, that he’d leave the fake one he’d been with for years – a liaison based on partying & popularity—this one crucial thing HE DID NOT DO.

 

But God works in MYSTERIOUS WAYS. None of us figured on this Pandemic & economic crash. I even asked God if She did this entire crash for me, to bring him to his knees—I asked her as a joke, it seemed so convenient for ME.  I was impervious to the crash, but for him it was ‘no more roof over my head.’

 

This dream explains how God or karma has brought him where he always needed to be but failed to do so instead of listening to God, he obeyed the world, the flesh & the devil. He listened to family & friends who are not of God, may of whom are addicted—some are criminals—some have traumatized him—they tempted him like demons suggesting a bad road, he was deceived, then trapped.}

horses-eating-from-a-manger-with-pigs-and-chickens-in-a-farmyard-john-frederick-herring-jr la_belle_dame lady-of-the-lake-shanina-conway large Lempertz-1046-16-Paintings-and-Drawings-15th-19th-C-German-School-mid-18th-century-A-Courtship-in-the-Park

For years I prayed, did exorcisms for him, said Masses—sent him love for which I got DEMONS bouncing at me. This work exhausted my mind & body. I felt it was finished & LET GO. But how, when, would he ever get out of his situation, that he was entrenched in for YEARS? I could not figure it out, it perplexed my tired brain. I knew he loved me, but WHEN?

 

Enter the economic catastrophe – something none of us expected. The frail thread that held him & the other female has broken, it was not love, but her support that kept him there—no more support—the place she worked has shut down & when it reopens it might not provide for her–the house of cards is about to collapse.

 

Interpreted for a friend.

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College of God & Love, College of Love Making, College of Matriarchal Love, Uncategorized

SEX and MARRIAGE

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Dream about marriage & sex interpreted for a friend

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3-5-20-HES GOOD HUSBAND I SAY WE WILL DO SEX

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          John, my good husband, & I are standing around outside by the small bridge near the creek. He is facing away from the creek toward me, is wearing a white t-shirt, his hair curly honey blonde.

 

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          (BRIDGE, SMALL: A TRANSITION, A CHANGE.

          CREEK: CARRIES THE GRACE OF GOD OR GOOD FORTUNE

          FACING AWAY, FROM CREEK: HE DOES NOT SEE THIS GRACE COMING, NOT AWARE.

          CURLY HAIR: WORRIED {IT’LL CURL YOUR HAIR}

          HONEY BLONDE HAIR: HE HAS SWEET THOUGHTS ABOUT ME.

          LOOKING AT ME: THINKING ABOUT ME.

WHITE T-SHIRT: HE WANTS MARRIAGE. THE WHITE IS OVER HIS HEART.)

 

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          This is like in real life, I’ve never had sex with John but a change has come over me. I tell him, as I have thought it out,

 

         (CHANGE: THIS EXPLAINS THE BRIDGE OR CHANGE, IT’S ABOUT SEX.

          I ASKED GOD TO GIVE ME A SIGN ABOUT WHEN TO START UP AGAIN & THE TIME IS COMING SOON.)

 

          “It seems that you aren’t happy & neither am I.”

 

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          To myself I have thought about my revulsion to have sex with him – he doesn’t have any appeal to me. But I’m going to force myself to desire him – how bad could it be? I need sex & it might as well be my husband. We could both be happy if I make myself do it.

 

          So I tell him I am going to allow him to do sex to me. He is just listening, he’s passive.

 

          (PASSIVE: AMENABLE, COOPERATIVE, SUBMISSIVE–TO ME IN THIS SITUATION.)

 

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          I am wearing a white hat, the kind sailors wear, only the rim of it is wider than sailor’s. It’s pushed back on my forehead; I seem to be adjusting it. I don’t see any of the hair on my head, it’s under my hat.

 

          (UNDER MY HAT: THIS IS A SECRET TO HIM, NOT TO ME. MY THOUGHTS {HAIR} ABOUT IT ARE SECRET.

          HAT, WHITE: MARRIAGE, MARRIAGE MINDED

          FOREHEAD, PUSHED BACK ON: EXPOSING MY THOUGHTS OR DECISION.)

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………………………………………………………….

 

SYMBOLS IN THE DREAM OF 3-5-20

 

BRIDGE, SMALL: A TRANSITION, A CHANGE. A bridge takes us from one place to another, not necessarily to a physical place but mental, emotional or spiritual place. It could also be any venue, any change, from one thing to another, like one job or project leading to another.

 

          CREEK: CARRIES THE GRACE OF GOD OR GOOD FORTUNE. Water is often grace because we need water so badly, we couldn’t live without it, ditto for the Grace of God.

 

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          FACING AWAY, FROM CREEK: HE DOES NOT SEE THIS GRACE COMING, NOT AWARE. This grace is something that will make him happy but he’s not aware it’s coming.

 

 

          CURLY HAIR: WORRIED {IT’LL CURL YOUR HAIR.} Hair has to do with the mind or brain, as hair is coming ‘out of the head.’ It represents what comes out of our head, brain or mind. Hair getting ‘curled’ is like a person cringing or retreating into themselves through stress—the opposite being free flowing & relaxed. Curly hair is not relaxed.

 

          HONEY BLONDE HAIR: HE HAS SWEET THOUGHTS ABOUT ME. Honey is sweet.

 

           LOOKING AT ME: THINKING ABOUT ME. You are usually thinking about what you are looking at.

 

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WHITE T-SHIRT: HE WANTS MARRIAGE. THE WHITE IS OVER HIS HEART. White often represents marriage. It can mean other things, but you interpret according to what is the dream about? The dream is about a romantic relationship so this indicates marriage.

 

CHANGE: THIS EXPLAINS THE BRIDGE OR CHANGE, IT’S ABOUT SEX. From no sex (what he was worried about) to having sex.

 

          I ASKED GOD TO GIVE ME A SIGN ABOUT WHEN TO START UP AGAIN & THE TIME IS COMING SOON. God or our unconscious often speaks to us through our dreams. {Nightmares are usually from demons or demonic energies, or else our fears–could also be warnings from the Heavenly realm—I have had frightening warnings from God to stop doing something, & if not, God would ‘kill me.’ I obeyed & it was the right thing to do, which God knew would lead to dire consequences—but I was unaware. God wanted no refusal on my part & stated her Will in no uncertain terms.}

 

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PASSIVE: AMENABLE, COOPERATIVE, SUBMISSIVE–TO ME IN THIS SITUATION. Again, passive can be interpreted in other ways, always look to the content & meaning of the dream to apply the symbols.

UNDER MY HAT: THIS IS A SECRET TO HIM, NOT TO ME. MY THOUGHTS {HAIR} ABOUT IT ARE SECRET.  Since people can’t see under your hat, it’s hidden.  And what is under your hat is your brain or mind, so your thoughts are secret.

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HAT, WHITE: MARRIAGE, MARRIAGE MINDED

FOREHEAD, PUSHED BACK ON: EXPOSING MY THOUGHTS OR DECISION. Again, a white hat can mean other things but in the context of this dream it means this.

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College of God & Love, College of Love Making, College of Matriarchal Love, Uncategorized

ROCKY AFFAIR WILL TURN GOOD

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DREAM REVIEWS ROCKY RELATIONSHIP—PREDICTS POSITIVE

OUTCOME 

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dream interpreted for a friend

 

3-3-20-ELVIS-EVIL KAHELL

 

12. Lambdin, George Cochran - The Consecration

          First dream was about Elvis & it was joyful. There was a stage. We were taking turns performing, Elvis was on stage, I was on stage, for a while two people were on this stage that were ‘filling in’ for us. Their stage was all lustrous mint green, padded as if blankets underneath.

 

          (STAGE, PADDED: THIS WAS YOUR BED, ON WHICH YOU & HE PERFORMED. THE DESCRIPTIONS ARE YOUR OWN SHEETS IN REAL LIFE BEING MINT GREEN, LUSTROUS. THESE ‘FILL INS’ ARE WHEN YOU TWO WERE ‘AT PEACE’ WHICH WERE ‘IN BETWEEN’ THE UPS & DOWN. THE TIMES WHEN THE *STAGE* IS IN *REDS, BLUES & BLACKS* IS WHEN YOU WERE ON & OFF WITH YOUR LOVER DON. HALF THE TIME HE WAS MISERABLE AS HE WASN’T SURE IF YOU LOVED HIM.

ELVIS:  THIS IS THE LOVER DON.  WHY IS HE ELVIS?  BECAUSE YOU WERE MADLY IN LOVE WITH ELVIS AS A CHILD, AGE 10-12,  & THIS WAS/IS A ‘CRAZY LOVE’ ALSO.  WHEN YOU DREAM OF CELEBRITIES THAT YOU LOVED, IT’S USUALLY SOMEONE  DIFFERENT THAT YOU  RELATED TO–IN DREAMS IT’S A VOCABULARY OF SYMBOLS.  MEN WILL DREAM OF SEXY FEMALE STARS BUT THEY MIGHT REPRESENT  WOMEN THEY KNOW.  IN THIS DREAM ELVIS IS THE GOOD SIDE OF DON WHILE KAHELL THE BAD SIDE, THE DR. JEKYL & MR. HYDE.)

 

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          The stages always had soft cushions. For Elvis & me they were glittery—reds, blacks, dark blues maybe, but sparkly like that ghoulish guy with mask that jumped into the boxing ring, covered in all sparkle/sequins in dark colors. The floors of the stage are not wood, they are padded with cloth on top, puffy & beautiful. We were HAPPY most of the time.

 

          (YOU WERE HAPPY WHEN YOU WERE TOGETHER, OTHERWISE YOU COULD NOT HAVE STOOD STAYING TOGETHER, AS IT WAS ROCKY. IN OTHER WORDS, YOU BORE THE BAD TIMES WISHING TO RETURN TO THE GOOD TIMES.)

 

          But El had one problem that made him miserable, he thought I didn’t love him, but I did. There are many performances, he seems to ‘go away’ thinking I don’t love him then comes back super-joyful when he finds out that I do. Of course I love him, it’s ridiculous to think I don’t.

 

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(HE WAS UN RIGHTEOUSLY UNCERTAIN OF YOUR LOVE. HE’S INCREDIBLY INSECURE, TROUBLED FROM INNER CONFLICTS.)

 

          The stage is set in a room & it’s to the side, against the wall (just like the bed in my apt), not real big but about 15’long & maybe 8’ wide & seems to be trimmed all around with a band of sequins if El or I is performing.

 

          (THE *SEQUINS* REPRESENT THE GLAMOUR & DRAMA OF WHEN YOU WERE TOGETHER, ‘PERFORMING’ OR ACTING ON THE STAGE OF LIFE. THERE WERE GOOD & BAD TIMES, BUT IT WAS ALWAYS DRAMA.)

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          The highlight of this is when he thinks I don’t love him & how happy he is to return & find that I do.

 

          (PERHAPS THAT’S WHAT HE LIVED FOR. HE TREATED YOU BADLY; MOST WOMEN WOULD HAVE GIVEN UP. BUT IT ALWAYS THRILLED HIM WHEN YOU RECEIVED HIM BACK, A RELIEF, A TRIUMPH. HIS BAD BEHAVIOR PUSHED YOU AWAY & HE KNEW IT; HE FEARED LOSING YOU. HIS TRUE LOVE ALWAYS BROUGHT HIM BACK & YOU HAD JOYFUL REUNIONS.)

 

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………………………………………………………..

 

          KAHELL THE EVIL ONE

 

                     Long ago I had a bf named Kahell, & he’s back, & he’s here with me, but in the scenes he has another female who is a fool & an idiot.

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          (THIS *FOOL*, IDIOT COULD BE HIS PRESENT GF OR YOURSELF IN THE PAST. EITHER WAY, SHE WILL BE GONE, BOTH OF THEM; THE OTHER GF & THE FOOLISH YOU—YOU HAVE CHANGED.)

 

          Kahell was everything bad—a coke addict, criminal, greedy, selfish con man, the lowest of the low. Hard to think about him he was so evil & I was involved. His presence is repulsive.

 

          (KAHELL: THIS IS THE SAME MAN YOU LOVED WHO LOVED YOU, AT HIS WORST, HIS DARK SIDE.)

 

          First I see us at the old farm house. This female with him is short & slightly plump, like shortish arms & legs & filled out. She seems immature & egotistical.

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          (AGAIN, THIS IS PROBABLY TWO DIFFERENT WOMEN UNDER THE SAME BANNER, THE FEMALE HE EXPLOITS RIGHT NOW, & YOUR FOOLISH SELF IN THE PAST, WHEN YOU ACTED IN AN IMMATURE & EGOTISTICAL MANNER.)

 

          Her egotism seems focused on praising Kahell. He’s naked here with us in the kitchen. She says how well built he is, he’s 6’2”, has muscles, not sure about his penis, it’s there but I don’t agree with his so-called ‘beauty,’ he repulses me. I see him sort of ‘emerging’ from the side of the table I’m sitting, like reaching out for something, like a person playing basketball & reaching for the ball, his body on say a 75 degree angle.

 

          (THIS IS WHEN DON, THE LOVER, BECOMES THE ‘HYDE’ OF JEKYLL & HYDE. HE’S EVERYTHING BAD, HE’S REPULSIVE.

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          GF, SHORT, PLUMP IMMATURE: THIS MIGHT BE HIS REAL OTHER GF WHO HE DRUGS WITH, ACCORDING TO THIS SHE’S A FOOL & AN IDIOT, BUT SO WAS I. IT SEEMS LIKE SHE ACCEPTS HIS DARK SIDE, THE WORST OF HIM, & PRAISES HIM—SO DID I. HER PHYSICAL APPEARANCE BELIES ‘AVERAGE GIRL’ ON THE INTERIOR PLANE. IT COULD APPLY TO YOU WHEN YOU REVERTED TO THE FLESH.

 

          YOU ARE NOT REPULSED BY ANYTHING PHYSICAL, BUT HIS CHARACTER & ACTIONS. ALWAYS LOOK FOR THE SYMBOLISM IN PHYSICAL FORMS.)

 

          We are all three around for a long time. There’s something about after a while he wants to know if we’re gong to be friendly, affectionate, maybe make love. I tell him I do need affection, but I cannot deal with him, be with him while he’s with his gf. He thinks it’s alright, but I don’t.

 

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          (BEING THE LOWLIFE THAT HE IS, HE WANTS TO HAVE THE OTHER GIRL & YOU, BUT YOU REFUSE. IF HE’S WITH HER, HE CANNOT BE WITH YOU. THIS IS A CHANGE FROM WHAT WENT ON BEFORE, AS YOU EXPECTED HIM TO BREAK UP ANY TIME, BUT IT’S BEEN DRAGGING ON TOO LONG. HERE YOU ARE NO LONGER THE ‘FOOL-IDIOT’ SHE IS.

HIS REACHING LIKE *PLAYING BASKETBALL*, AWAY FROM MY TABLE, IS HE IS ‘PLAYING GAMES’ WITH ME, AS HE STRETCHES OR LEANS AWAY FROM ME, HE’S NOT BEING SERIOUS.)

 

          She at one point is standing in the room bragging about her ‘prowess’ with him – that no one can take him from her – he’s standing past her. I seem to be ‘hovering’ above, & I say,

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          “How dare you!”

 

          (THE HIGHER PART OF YOU KNOWS SHE’S WRONG BECAUSE WHEN HE COMES TO HIS SENSES YOU ARE GOING TO COMMAND HIM. SHE’S BEING PRESUMPTUOUS.)

 

          The next scene is we’re in my apt in B’klyn. I despise this couple, but they are living with me. I wish I could make them leave, but how?

 

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          (COUPLE, YOU DESPISE THEM: YOU DESPISE THIS COUPLE BEING TOGETHER, YOU WISH THEY WOULD BREAK UP. BEING WITH YOU, LIVING OFF YOU, IS THEY ARE IN YOUR HEAD LIVING OFF YOUR ENERGY. YOU WANT TO GET THEM—AS A COUPLE—OUT OF YOUR MIND. THEY ARE ‘LIVING RENT FREE IN YOUR HEAD.’

 

*APT, B’KLYN* IS A PLACE OF PENANCE, CHANGE & REVELATION.)

 

          On one wall is a hanging shoe holder – I used to have one. In it are about 20 pairs of shoes of mine like new. Next to the shoes are greeting cards looking the same way.

 

Dante and Virgil Penetrating the Forest 1824-7 by William Blake 1757-1827 Cerberus 1824-7 by William Blake 1757-1827 Elohim Creating Adam 1795/c.1805 by William Blake 1757-1827 The House of Death 1795/c.1805 by William Blake 1757-1827 (c) The Fitzwilliam Museum; Supplied by The Public Catalogue Foundation blake_QueenK Tate; (c) Tate; Supplied by The Public Catalogue Foundation

          (*SHOES*: THESE ARE THE LESSONS IN MY LIFE. ‘WALK A MILE IN MY SHOES’ & THE ‘GIFT OF THE GURU SANDALS’ BOTH APPLY. THE FIRST IS ‘EXPERIENCE IS THE BEST TEACHER.’ THE SECOND IS A GURU IS ONE WHO TEACHES OR ENLIGHTENS YOU. THIS IS SAYING I HAVE LEARNED MANY LESSONS OUT OF THIS RELATIONSHIP.

 

          *GREETING CARDS*, LIKE SHOES: GREETING CARDS COMMEMORATE HOLIDAYS, SEASONS, EVENTS, & SO THIS UNDERSCORES HOW THE PASSAGE OF TIME, WITH ITS CHANGES, DRAMAS & EVENTS, ‘WE LIVE & WE LEARN.’)

 

          Hard to recall what happens here just as I wish & hope they would leave – why are they here. They are living off me.

 

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          (EXPLAINED PREVIOUSLY)

 

          Finally one day they gather their belongings & exit out the door. After he’s past the door I recall he has the key! I need the key back. I understand he is secretly planning to use the key to come back, so I am not safe!

 

          (*KEY*, HE STILL HAS THE KEY: THIS HAS A TWOFOLD MEANING PROBABLY, BECAUSE THE RELATIONSHIP GOES BOTH WAYS. HE HAS THE KEY TO GET BACK INTO YOUR MIND & HEART – YOU HAVE A FEAR OF HIS EVIL NATURE, HIS DARK SIDE RETURNING.

 

          HE ALSO HAS INTENTIONS OF RETURNING TO BE WITH YOU, IN REAL LIFE.

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THIS ALLUDES TO THE FACT THAT THE OTHER FEMALE WILL DEPART, BECAUSE IT IS ‘THEY’ WHO LEAVE & ONLY HE HAS THE KEY, NOT HER & YOU KNOW HE IS SECRETLY PLANNING TO RETURN, BUT IT DOES NOT MENTION HER.

 

          ‘THEY’ LEAVING IS ALSO THE FOOLISH YOU DISAPPEARING WITH HIM.)

 

          Next scene I am outside, riding in a car where three people are in front, the brother of an ex bf of mine is driving, Kahell is on my right. I tell Kahell I want my key back. He’s wearing a dark {charcoal black} pin-striped suit, black with lighter very thin stripes.

 

d131d85af61cc292158c8c79e639ccba d435fa13-f12e-48f0-a282-55cad48c619a DaedalusIcarusSokolov (c) Manchester City Galleries; Supplied by The Public Catalogue Foundation DANTE VIRGIL

          (INTERESTING, UNUSUAL SYMBOLS.

 

          THE BOY DRIVING IS ONE WHO HAS BEEN IN JAIL FOR A FAIRLY LONG TIME {IN REAL LIFE}; THIS MEANS HE’S OUT. THE ‘BROTHER’ IS ACTUALLY THE MAIN PRINCIPAL– DON – WHOSE ALTER EGO IS KAHELL.

 

          THIS SAYS DON HAS BEEN *RELEASED FROM PRISON*. WHAT IS THE *PRISON*? THE PRISON OF HIS MIND, HIS HEART, WHICH WAS TAKEN OVER BY DRUGS & THIS OTHER WOMAN, NOW HE IS FREE.

 

          *PIN-STRIPED SUIT*, BLACK WITH THIN LIGHT VERTICAL LINES:

NOW THE EVIL SELF, KAHELL, IS IMPRISONED OR UNDER LOCK & KEY. {PIN STRIPED DARK SUIT, ESPECIALLY WITH *VERTICAL STRIPES* IS LIKE THE BARS OF A CAGE, MEANS BEING IMPRISONED.} THE ‘*DRIVER*’ OR ACTIVE SELF, ONE IN CHARGE, IS NOW THE ‘GOOD SELF’ COME BACK; HIS BAD SELF PUT AWAY. THE GOOD SELF IS OBEDIENT & GIVES YOU YOUR KEY – NO CONSPIRACIES, HE WILL NOT INVADE YOU WITHOUT PERMISSION, HE WILL WAIT FOR YOU TO OPEN THE DOOR, WHICH SHOWS RESPECT.

 20130213204823!Jean_Metzinger,_1911-12,_La_Femme_au_Cheval_-_The_Rider 20141020045955-jerusalem.e.p28.300_crop 20150217150827!Jean_Metzinger,_1912,_Femme_à_l'Éventail_(Woman_with_a_Fan),_oil_on_canvas,_90.7_x_64.2_cm,_Solomon_R._Guggenheim_Museum 20150429055732!Jean_Metzinger,_1912-1913,_L'Oiseau_bleu,_(The_Blue_Bird)_oil_on_canvas,_230_x_196_cm,_Musée_d'Art_Moderne_de_la_Ville_de_Paris. 20150429064243!Jean_Metzinger,_1912,_Danseuse_au_café,_Dancer_in_a_café,_oil_on_canvas,_146.1_x_114.3_cm,_Albright-Knox_Art_Gallery,_Buffalo,_New_York 201009210325206312_M

          THE BAD SELF DOES NOT WANT TO RETURN THE KEY FOR WHAT REASON? MAYBE HE NO LONGER HAS IT, NO LONGER HAS THE ABILITY TO TORMENT YOU. MAYBE SINCE HE’S ‘PUT DOWN’ HE HASN’T GOT THE ABILITY TO ACT IN ANY WAY, HAS TO JUST SIT IN HIS CELL OR ‘STAY DEAD.’ HIS INTENTIONS WOULD STILL BE EVIL BUT HE’S POWERLESS TO ACT.)

 

          Surprisingly, the brother takes out a key – my key – gives it back to me—I didn’t even know he had it. Kahell doesn’t want to return my key.

…………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………….

SYMBOLS IN THE 3-3-20 DREAM, ELVIS & KAHELL

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DREAM PREDICTS ROCKY RELATIONSHIP WILL HAVE POSITIVE OUTCOME

 

*STAGE, PADDED*:

 

  THIS WAS YOUR BED, ON WHICH YOU & HE PERFORMED.  THE DESCRIPTIONS ARE YOUR OWN SHEETS IN REAL LIFE BEING MINT GREEN, LUSTROUS.  THESE ‘FILL INS’ ARE WHEN YOU TWO WERE ‘AT PEACE’ WHICH WERE ‘IN BETWEEN’ THE UPS & DOWN.  THE TIMES WHEN THE *STAGE* IS IN *REDS, BLUES & BLACKS* IS WHEN YOU WERE ON & OFF WITH YOUR LOVER DON.  HALF THE TIME HE WAS MISERABLE AS HE WASN’T SURE IF YOU LOVED HIM.

20993934_160182397871276_2245271786956208455_n 20993954_845436682300057_8820610715914933378_n 20993981_251843175336308_1709183267121519451_n 20994061_1433094350071788_8231367610482770713_n 

BOTH ELVIS & KAHELL ARE DON, YOUR LOVER, ELVIS THE GOOD SIDE & KAHELL THE BAD, LIKE DR. JEKYL & MR. HYDE.  IT’S OUR PRIMITIVE, HUMAN NATURE THAT CAN BE CORRUPT VS OUR DIVINE NATURE.  THE EVIL SIDE OF OURSELVES CONTAINS ALL THE BAD TRAITS BY WHICH WE HURT OTHERS.

………………………………………………………………………..

 

*SEQUINS*

 REPRESENT THE GLAMOUR & DRAMA OF WHEN YOU WERE TOGETHER, ‘PERFORMING’ OR ACTING ON THE STAGE OF LIFE.  THERE WERE GOOD & BAD TIMES, BUT IT WAS ALWAYS DRAMA.

……………………………………………………………………..

 

*FOOL, IDIOT*:

          SOMEONE THINKING IN THE FLESH.  IN THIS CASE HIS PRESENT FEMALE WHO ALLOWS HERSELF TO BE USED, & IN THE PAST, YOURSELF WHO PUT UP WITH HIS ABUSE.

………………………………………………………………….

 

*BASKETBALL*:

 REFERS TO HIS ‘PLAYING GAMES’, NOT BEING SERIOUS, MANIPULATING YOU.

……………………………………………………………………….

 

*GIRL FRIEND, SHORT, PLUMP*:

          GF, SHORT, PLUMP IMMATURE:  THIS MIGHT BE HIS REAL OTHER GF WHO HE DRUGS WITH, ACCORDING TO THIS SHE’S A FOOL & AN IDIOT, BUT SO WAS I.  IT SEEMS LIKE SHE ACCEPTS HIS DARK SIDE, THE WORST OF HIM, & PRAISES HIM—SO DID I.  HER PHYSICAL APPEARANCE BELIES ‘AVERAGE GIRL’ ON THE INTERIOR PLANE.  IT COULD APPLY TO YOU WHEN YOU REVERTED TO THE FLESH.

……………………………………………………………………….

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*HOVERING, ABOVE HER*:

 THE HIGHER PART OF YOU KNOWS SHE’S WRONG BECAUSE WHEN HE COMES TO HIS SENSES YOU ARE GOING TO COMMAND HIM.  SHE’S BEING PRESUMPTUOUS.

…………………………………………………………………..

 

*APT, B’KLYN*:

 IS A PLACE OF PENANCE, CHANGE, REVELATION, GREAT SPIRITUAL EVENTS.

THE PLACE WHERE THE DREAM PRESENTS ITS SCENES GIVES BIG CLUES.  WHAT DID THIS PLACE MEAN TO YOU?  WHAT HAPPENED THERE?  THE SAME IS HAPPENING AGAIN.

……………………………………………………………………..

 

*SHOES*:

  THESE ARE THE LESSONS IN MY LIFE.  ‘WALK A MILE IN MY SHOES’ & THE ‘GIFT OF THE GURU SANDALS’ BOTH APPLY.  THE FIRST IS ‘EXPERIENCE IS THE BEST TEACHER.’  THE SECOND IS A GURU IS ONE WHO TEACHES OR ENLIGHTENS YOU.  THIS IS SAYING I HAVE LEARNED MANY LESSONS OUT OF THIS RELATIONSHIP.

…………………………………………………………………..

20914523_1910701965921532_7111995579788917591_n 20914528_1910249272633468_3924681568405887315_n 20914545_2042921305929902_2815739505788078184_n 20914555_1412171895546159_6965987579300862365_n 20914559_163391754231330_4860502096338374292_n 20914565_392161167866095_1459011995876557380_n 20914578_284158985399835_6669288051150539603_n 20914598_168867600341906_3601036816804633590_n 

*KEY*:

 HE STILL HAS THE KEY:  HE HAS THE KEY TO GET BACK INTO YOUR MIND & HEART – YOU HAVE A FEAR OF HIS EVIL NATURE, HIS DARK SIDE RETURNING.

………………………………………………………………………

 

*BROTHER, DRIVING*:

          IN THIS DREAM THE BRO IS A PERSON WHO IN REAL LIFE IS HERE WHICH MEANS HE GOT OUT OF JAIL.  BUT AGAIN, THIS IS NOT ABOUT THE BRO, IT’S ABOUT THE SAME PERSON, DON, WHO’S APPEARED AS A ‘GOOD GUY ELVIS’ & ‘BAD GUY KAHELL.’

          NOW HE BECOMES ‘THE ONE RELEASED FROM A PRISON.’ TO SAY HE’S HERE DRIVING, MEANS THE FREED-UP DON IS NOW IN CHARGE.  I’M IN THE CAR WITH KAHELL TO THE RIGHT OF ME, I’M IN THE MIDDLE, IS TO SAY DON HAS BEEN LIBERATED FROM THE PRISON HE WAS IN –THE EVIL MENTAL STATE HE WAS IN BEFORE.

……………………………………………………………………………….

 

*PIN STRIPED SUIT*:

          KAHELL, THE EVIL ONE, IS TO THE RIGHT IN THIS CAR BUT HE’S WEARING A CHARCOAL BLACK VERTICALLY STRIPLED SUIT.  THIS MEANS HE IS CAGED AS THE VERTICAL STRIPLES SAY SO, LIKE THE BARS OF A CAGE OR PRISON.  THE GOOD GUY IS IN CHARGE OR ‘DRIVING’ WHILE THE BAD GUY IS SUBDUED.

……………………………………………………………………………… 

 

LOOK INTO THE DREAM FOR ADDITIONAL DETAILS

 

 

tumblr_pipnneJbbM1v7q1ph_540 tumblr_pk7yyvMGfo1ukoi7g_1280 tumblr_plg4xsQBXm1rcn9rk_540 tumblr_ppilqmBREO1rr19xt_640 tumblr_pv60gxfSb51y8yb17_frame3 tumblr_static_tumblr_static_filename_640

 

 

 

College of God & Love, College of Love Making, College of Matriarchal Love, Uncategorized

HE PROPOSES MARRIAGE

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HE PROPOSES MARRIAGE

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Dream interpreted for a friend. Too see Rasa’s book on dreams, ‘Theater of the Mind,’ check Lulu & Amazon.

 

2-3-20-HE PROPOSES MARRIAGE-THE REAL DEAL-NO MORE HANKY-PANKY

 

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          There’s this young man I really like, but he’s with another woman. I stand around just looking at him all the time, from here or there, looking, looking. Finally I ‘give up’ as he’s paying attention only to her; I walk away & am sitting somewhere.

 

          (I GOT TIRED OF WAITING FOR Xxx to quit the female he’s with & walked away.)

 

          Then he leaves that female & he comes over to me.

 

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( THIS IS A MENTAL STATE WHICH PREDICTS A PHYSICAL CHANGE IN THE FUTURE.)

 

He sits down on some kind of a ledge to my left a few feet from me, about 3 or 4’ above me, stretched out in a sense so I can see his body from head to toe. He’s wearing some kind of outfit that is form-fitting, clinging & there seem to be shades of green, dark & light. His body is shapely like the drawings, paintings I have which I often share on my site—(can’t think of the artist’s name, much of it spiritually/religiously inspired.)

 

          He’s young, dark hair, nice features; the features are so beautiful they are almost feminine, like he could pass for a female if made up properly – almost.

 2d82881b4d48196069ca944ad4a5197a 2f5a432d2e7922c8289e52bffc1fca56 3a770405611425d1a8c4fb54e2cfb9ae 3bbdb250ea35d5577957e882d5edc84c--bob-hope-jayne-mansfield

 

          {He reminds me of someone – who? Perhaps that coachman in ‘Upstairs-Downstairs who was so handsome a maid fell in love with him but those around him influenced by his female employer made him reject the maid. He ignored her – she hanged herself as she had ‘no one else.’ Except that guy was blonde, this one is dark.}

 

          (THIS WAS MY LOT WHEN I WAS OBSESSIVELY ‘IN LOVE’ WITH Xxx. WHEN HE IGNORED, REJECTED ME, WOULD NOT SPEAK TO ME FOR A LONG TIME, I HAD ANXIETY ATTACKS WHICH LED TO HEART ATTACKS – IN A SENSE I DIED, BUT CAME BACK AGAIN AFTER LEAVING THIS WORLD – I REVIVED & RETURNED. AND I GOT OVER THE OBSESSION.)

 

mademoiselle-suzanne-poirson-by-John-Singer-Sargent-0149 MaiaSpringGoddess main

          Then he says something that shocks me. He says,

 

          “DO YOU WANT A DATE WITH ME?”

 

          As I said, I’m so shocked I’m SPEECHLESS & instead of saying yes I squeeze or pinch his ANKLE, which is right in front of me. That is my answer & he knows its yes. He then says,

 

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  “BUT ON OUR FIRST DATE, WE ARE NOT ALLOWED TO TOUCH EACH OTHER.”

 

          At that, I want to ask him if he’s a Muslim – like they have strange customs, old fashioned, & I already broke the rule by touching his ankle. But I don’t dare ask, as if he’s Muslim it might raise some conflict or disagreement.

 

          There was a SENSE that he’s actually asking me to marry him. But we must follow antiquated rules. No ‘touching’ as we court, & then this leads to marriage. And after marriage we can ‘touch’ which is a code word for sex.

 

most-beautiful-women-before-color-photos-ava-gardner most-beautiful-women-before-color-photos-ingrid-bergman most-beautiful-women-before-color-photos-marc3ada-fc3a9lix most-beautiful-women-edwardian-era-1900s-thumb most-beautiful-women-yulia-borisova

                     (MEANING:

 

          YESTERDAY Xxx PUT SOMETHING ON HIS BLOG THAT INDICATED HE KNEW GOD WAS DEALING WITH HIM, ENDING HIS PRESENT SITUATION / LIFE TO MOVE HIM FORWARD TO ANOTHER.

 

          THAT LIFE THAT’S ENDING IS WITH THE OTHER WOMAN. HERE HE’S PRESENTING TO ME HE HAS DISCERNED THE WILL OF GOD, THAT GOD WANTS HIM TO BE WITH ME.

 

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HE IS SAYING THAT IT’S APPROPRIATE WE NOT HAVE SEX, WE MUST END THAT SEX-ONLY AFFAIR–HE MUST PROPOSE MARRIAGE, I MUST SAY YES, THEN OLD-FASHIONED COURTSHIP, THEN WE FORM OUR BOND. IN OTHER WORDS, HE HAS SEEN THE LIGHT OR THE TRUTH & HE’S COMPLIANT WITH IT.

 

THE MEANING OF THE DREAM IS SAYING I WANTED HIM A LOT, BUT HE DALLIED WITH ANOTHER. I LEFT HIM & ONLY WHEN HE LOST ME, HE CAME & PROPOSED. AND HE AGREES TO A TRADITIONAL MARRIAGE, THAT IS, NOT USING ME FOR SEX—PROPOSAL, COURTSHIP, THEN MARRIAGE WITH SEX………………………………

 

QUESTIONS: HIS APPEARANCE, THE VOLUPTUOUS BODY, HIS BODY REVEALED NOT IN NORMAL CLOTHES BUT CLINGING ONES IN GREENS. SITTING IN FRONT OF ME A FEW FEET HIGHER TO MY LEFT. I SQUEEZE HIS ANKLE. ALL SYMBOLS THAT MEAN SOMETHING BUT WHAT?

photo-1564408665877-4260fb1a808e photo-1565014936446-f91633799832 photo-1565024143906-53ad374920e5 photo-1565024144003-1e575b05564e 

(1) HIS APPEARANCE: THE BEAUTY–COULD HAVE A DOUBLE, TRIPLE MEANING. FIRST HE IS PHYSICALLY HANDSOME, TO AN EXTREME DEGREE.

 

SECOND, ‘HANDSOME IS AS HANDSOME DOES,’ HIS BEHAVIOR TO ME ISN’T UGLY ANY MORE, HE’S TURNED OVER A NEW LEAF & HAS SPIRITUAL BEAUTY, HE’S COME CLOSER TO GOD & TRUTH, HE’S ASCENDED.

 

THIRD, HE REMINDS ME OF THE MALE IN THE TV SERIES WHO BROKE THE MAID’S HEART & SHE DIED OF IT. THIS ALL POINTS TO ONE INDIVIDUAL.

 

photo-1546510572-a1d7c7fd5fb7 photo-1546943362-ee53d216317c photo-1546971587-02375cbbdade photo-1547985389-d2c6e777d23e

(2)          THEN, HIS VOLUPTUOUS, SHAPELY BODY, ALL OF IT REVEALED, ALL OF IT BEFORE ME. THIS MEANS HE’S NO LONGER HIDDEN, HIDING. HE IS OFFERING ME ALL OF HIMSELF, NOT PART OF HIMSELF; THERE’S NO MORE OF HIM TO GIVE. HE IS NOT GIVING SOME OF HIMSELF TO THE OTHER WIFE, SOME TO ME, HE’S FINALLY LEAVING HER & GIVING ALL TO ME.

 

(3)          CLINGING CLOTHES IN GREENS. THIS IS LIFE REVEALED. ‘HERE IT IS—ALL OF IT.’

 

(4)          SITTING HIGHER THAN ME, TO MY LEFT BEFORE ME. COMING FROM A HIGHER PLACE THAN HE WAS BEFORE – COMING FROM ‘HEAVEN’ SO TO SPEAK OR HIS ‘ASCENDED, IMPROVED SPIRITUAL STATE.’ HE IS SAYING ‘I ACCEPT YOUR TERMS, THE TERMS OF RELATIONSHIP BEFORE SEX—YOU WERE RIGHT. DO YOU WANT ME?’

 

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(5)          SQUEEZING OR PINCHING HIS ANKLE INSTEAD OF SPEAKING – I’M SPEECHLESS. ANKLE COULD REPRESENT PENIS. IT SEEMS FAR-FETCHED BUT A ‘THIRD LEG’ IS WHEN A MAN HAS A LARGE PENIS YOU SAY ‘HE HAS THREE LEGS.’ THIS MIGHT BE A HINT OR WITTICISM ‘YES, I WANT YOUR PENIS—YOUR PENIS IS SO BIG IT HANGS ALL THE WAY TO YOUR ANKLE.’ IT’S A JOKE YET IT’S TRUE IN A HUMOROUS WAY & I SAY YES IN THAT WAY………………………………BEING SPEECHLESS IS WHEN SOMETHING HAPPENS YOU REALLY WANTED BUT LOST HOPE—YOU’RE SPEECHLESS………….THIS DREAM IS AN ANSWER TO PRAYER ABOUT THE POST ON HIS BLOG – THIS IS WHAT IT MEANS. HE’S TALKING TO YOU, HE’S PROPOSING MARRIAGE, THE REAL DEAL. NO MORE HANKY—PANKY.)

 

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College of God & Love, College of Love Making, Shrine to Shiva

WOMEN’S FEELINGS ON SEXUALITY

WOMEN /MEN THINK DIFFERENTLY RE. SEX

There is an entire book in the difference in male/female view of sexuality.
The predominant vision of it is presented by “the old men” of Patriarchy.
I am at the forefront of “the old women” of Matriarchy.
I herald the time – coming soon – when women will rule the family and the world once again, and men will be their workers, drones, slaves and sex objects – complete role reversal to what was 10,000 years ago and the prior record of 200,000 years from archaeology.
But I do not degrade men the way the old men have taught young men to degrade, denigrate women. In these shrines I present how to worship God through the bodies of both male and female.
Matriarchy is NOT a reversal of Patriarchy, as many assume.
Women are Mothers, they care about people.
Yes, it is a deep and complicated issue, and I am full of passion on it.And no, there are not many women on board. And no, they are just learning to see sex another way, I am helping them. They are still repressed, prudish and brainwashed. They need sexual liberation.
Guru Rasa 9 10 14

OLD WOMEN MUST TEACH BOYS AND MEN HOW TO MAKE LOVE.  OTHERWISE YOU HAVE "BLOW AND HUMP" - THE STANDARD, FOR WOMEN, DISSAPOINTING RITUAL OF SEX.

OLD WOMEN MUST TEACH BOYS AND MEN HOW TO MAKE LOVE. OTHERWISE YOU HAVE “BLOW AND HUMP” – THE STANDARD, FOR WOMEN, DISAPPOINTING RITUAL OF SEX.

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WHAT WOMEN WANT IN SEX – Guru Rasa Von Werder

Women want something men are slow to give: Touch, caress, gentle kissing, oral and manual stimulation, massage, overall tenderness and caring touches before, during and after sex that might be called “romantic.”
“Romance” by my definition is caring mixed with sex, or love and sex together. The reason women are not getting this is because the old men are teaching the young how to “make love” which is not love at all.
They begin with the premise is that women are not to be loved, they are to be used. Hear them in the scriptures and the pulpits of old. Obviously, today priests are not telling the audience that men should beat women, but once this was routine. All bible belters know how St. Paul towed the Orthodox line and women were not to preach but commanded to obey their husbands. What kind of sex would this portend, where the male dominates? – Selfish sex, based solely on his orgasm.
Then again, in most recent time, the Sainted Pope John Paul II said some twisted things regarding sex, to wit, that husbands must not lust for their wives, that sex is for procreation only. I love the man dearly and he went straight to Heaven, no Purgatory, but he was wrong on this issue, wronged because he was brainwashed as we all were.
Slowly we are coming out of the fog, the delusion, regarding the dirtiness and danger of sex. We are waking back up to the reality that sex is sacred, blessed, as holy as any act we can infuse with the energy of love.
After beating us up in the pulpit and destroying the love of men for women, they continue to assault as in pornography. Here women are then degraded, made to be less than animals, by one or more men beating off on their faces, penetrating them not even in the sacred yoni, but now, the anus predominates. Men are teaching boys/men that women are no better than homosexuals, if their anus is good enough for screwing, so are the anuses of men.
What happened here? What is the political ramification?
It so happens that Patriarchs subdued the earth – first women, then all of mankind and animals – through terror, the terror of physical violence and murder. After that it became psychological death.
You kill a person by stripping away their identity and self worth – this was done at great labor to women, (and later to any men that stood in the way of Patriarchs). Obviously, they couldn’t do it completely, they could not turn women into zombies, but they succeeded in confusing the issues; lots of deluded, dazed females walking about the earth, obeying men either from brainwashing or fear of retribution, even death.
As I say in “How to Make Love to a Woman” lesson One, that you cannot make love to a woman unless you love them. Patriarchs turned love making into fucking, using and exploiting.
They tell men what women are for. They explain who women are. Men are first, women second. Women obey men. Men obey men (men in office, men in government, men in military.) The subjugation of men to men begins at home, as 25% of all boys, by military statistics, are molested by their own Dads. Factor in grandfathers, uncles, priests, Boy Scout leaders, choir directors, employers and others, and what then is the percentile?
The result of abusing boys from the cradle is stealing them from the embraces of Mother, confusing them as to who is their care giver and security. Obviously, Mother’s touch is gentle and non-sexual. Men envied that – it gives Mother Influence over the young. They then indoctrinated their own touch, which is often painful. Penises are like knives going into the anuses and vaginas of little children. This is Patriarchy – this is an important part of their plan to dominate the earth by corrupting, damaging the young from the time they cannot defend themselves.
What is the result of this molestation? Confused males who don’t know what they are. Are they gay or straight? Bisexual? Are women to be loved or hated? Their instinct tells them to worship women, adore women old enough to be their mother and beyond; Patriarchy tells them to hold women in contempt fuck young women and get them pregnant so we can have more cannon fodder.
The teachings of the old women are the exact opposite of the old men. Women teach males compassion, empathy, kindness and love. This is the greatest danger to Patriarchy, based on brutality, domination, selfishness and greed. Buddhism and Christianity, true religion, are the enemies of Patriarchy. These scriptures have ancient Mother God origins, as did all religions on earth.
As I said, the teachings of the old women are like so:

1 Respect, love, venerate women and worship God as a benevolent, maternal God, not a warlike one.

2 Care about the feelings of a woman. That means courtesy, respect, – do not use them and walk away. The “fuck’m n duck’m” might be an instinct encouraged by other males. Granted, males do have instincts different than women’s, (such as to impregnate many) but these instincts have to be guided toward good.

3 When you have sex with a female, don’t act like she’s a stranger next day. This is a complaint I get from college girls, and my own Beloved has done this to me. I shall never forget that after a Friday night of blissful love, I sat in the club next day, waiting for him to appear. There he was, at the end of the bar, getting his drink. He turned, saw me, gave me a blank look and walked away. He then chatted with another female in the patio for twenty minutes, not having given me even one. At the end of the night he asked me out – I was so hurt I walked away.
The college girls say to me,
“You have sex with a guy and the next day in class he acts like he doesn’t know you.”

4 After you have sex, do not exit as fast as possible. This is particularly hurtful to a woman. My Beloved once left the premises while I was in the bathroom cleaning up – without saying goodbye. I come out of the bathroom, he is gone. All that he said and did then had no relevance? It seemed so. God told me different, that in his heart was true love. But his ratchet behavior was a lack of culture and programming by women. He was schooled in the demon world of Patriarchs.
Another time he promised to spend hours with me. We spoke lovingly for a half hour, then we had sex. I went to the kitchen for a moment. Coming back to the bedroom, he was already on the phone seeking a ride out. This is love? Yes, I know love is in his heart, but on the outside, his ways are all wrong. Why? Lack of schooling.
Males today, unless they are of the wealthy class, do not know how to help a woman with her coat, or hold the door for her, or speak to her pleasantly without being rude, crude or offensive: Patriarchy. They learn crudeness from peers and the mainstream media which features lack of caring and violence.

What the old women need to teach young males is how to love women. That is the beginning, that is Matriarchy.

I told my Lover that he would reach Enlightenment by loving me. This is Shaktiism. The man receives from the God-women her Anointing, her Divine Power, as he applies his tenderness to her. It’s not about his physical spurt, – no spurt until the woman is satisfied. He has to attend to her in any way she wants until she is well pleased. This may take fifteen minutes or an our or two or three. Dr. Stanley Bass, who writes about his method called “Karezza Sex” does his thing to his female four hours at a time, three times a week. The man is almost 100 years old and his sex methods and raw-food diet have kept him healthy, happy, horny and lucid all this time. He wrote his last book age 97, when most men are dead or demented. Twelve hours a week in the bed with his woman anoints him to be powerful.

I told my lover he would reach Enlightenment by being with me; he would see God face to face eventually, which would take a number of years. He agreed, but that very night, schooled by Patriarchy, was the night he called someone for a ride as soon as I left the room. Because of this I have not spoken to him for six weeks and will not do so until he returns on bended knee. When males are tutored wrong, it’s a lot of trouble to erase their bad habits and teach them new ones.

Guru Rasa Von Werder…Jan. 4, 2015

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